A good sign your film has some problems is when you start thinking adding an arbitrary period in the name might be a good idea. Another good sign your film has problems is that your protagonist can’t figure out if she’s dead or not because Liam Neeson keeps telling her, “Nah, you’re dead; I’m just a Ghost Whisperer, like I Know What You Did Last Summer on that show,” and that’s the entire movie.

Ready to see Jake Gyllenhaal jump around in a wig some more? Well, here’s another Prince of Persia trailer. I suppose it looks alright, but I’m disappointed they don’t give us any hint of Genie or “A Whole New World.”

Did you miss the super-secret Tron Legacy trailer premier this Saturday? Yeah, me too. But thankfully some other people, like Heat Vision’s Borys Kit did see it, and have related their experience to us–which is idea if you’re the type of person who will accept “hearing about someone having sex” as a second place to “having sex.” OK, imagine all this being covered in strips of neon: The trailer starts off on the slow side, building a mystery. Bruce Boxleitner, reprising his role of Alan Gartner, is telling Sam Flynn (Garrett Hedlund) about his missing dad, Kevin Flynn (Jeff Bridges). He had discovered something that was going to change the world two days before he went missing. Now Boxleitner gets a phone call from a phone from Flynn’s Arcade…a line that should be dead! Soon enough, Hedlund, with an appropriate chip on his shoulder from not having a dad in his life, is at the arcade (he gets there by motorbike, speeding down late night streets and jumping his motorbike from the highway to an off-ramp) and…

What the fans wanted was more vlogging and Gold Bond product placement, right?

Just what you’d expect from a Showgirls sequel trailer. You know: a wet, naked woman crawling across a floor so wet it’s clear she’s done 20 takes of the scene; that same woman being clunked in the head with a small dumbbell; four seconds of music looped for about eight minutes. Classic Showgirls 2 . See it here (not safe for work for the aforementioned nakedness). ( via Movieline )

Just what you’d expect from a Showgirls sequel trailer. You know: a wet, naked woman crawling across a floor so wet it’s clear she’s done 20 takes of the scene; that same woman being clunked in the head with a small dumbbell; four seconds of music looped for about eight minutes. Classic Showgirls 2 . See it here (not safe for work for the aforementioned nakedness). ( via Movieline )

You may find this surprising, but believe it or not, I’m not a martial artist. Outside of knowing which moves various Street Fighter 2 characters use (Zangief is good at spinning his arms around, I recall), I really can’t discern between one fighting discipline and another. But when someone calls a movie “The Karate Kid” and then makes the trailer mostly about how awesome Kung Fu is, I can’t help but feel like I’m being chumped:

For Disney, the years from 1984 to 1994 are an era often referred to as “the time Disney made all those classic Disney movies I remember when I was a kid.” Young talent like future Pixar star John Lasseter and a creepy-as-fuck Tim Burton (above) helped revive Disney into the animated powerhouse that would manage to get “Kiss de Girl” in your head even 20 years after its debut, when you’re riding the subway thinking, “Why the hell will this terrible song not leave my brain?” Don Hahn and Peter Schneider, both ’80s Disney employees, have put together archival footage and interviews with the likes of Michael Eisner, Jeffrey Katzenberg, Roy Disney, and other key figures into Waking Sleeping Beauty , a documentary that attempts to answer how it all came together, and why we now know that “Hakuna Matata” means no worries, for the rest of your day. Here’s the trailer. Watch it now, before you find out about all the subliminal erotic imagery they probably snuck in.

Time to reach total Kick-Ass super-saturation with yet another red-band trailer for the superhero film. If you don’t get what this movie is about at this point, you are Grandma.

With My Sister’s Keeper and Extraordinary Measures coming out within seven months of each other, it’s been a good year for wringing sentimentality out of dying kids. The kind of entertainment usually reserved for Hallmark movie specials is finally finding its way to theaters. If watching suffering children and their families live out the last few months of an all-too-brief existence is your thing, you’re in heaven right now (just like those young spirits). Unfortunately, something like the recent Brendan Fraser/Harrison Ford vehicle also distracts you from those beautiful terminally ill children by interjecting a lot of talk of finding a medical cure for the disease. Yuck, science! Why can’t the cure just be God, a funny mustache, and the brief appearance of a father figure in the fleeting time before the child’s impending death? The producers of Kirk Cameron’s Fireproof have answered our prayers, delivering us Letters to God :